Starting off with a bit of deconstructed tailoring and coats that had detachable furs as bottom halves, we the moved on to one of the main themes; cut out zig zig patterned dresses in multi coloured nuances, but never bright or vulgar; always in subtle and earthly tones.
Mustard yellow and burgundy red dominated but there were a few slim black silk dresses as well. A lot of the pieces were panelled and bonded together, testifying to an extensive craftsmanship. The prints clashed, the skirts were frilly, knitwear came double breasted, and shearling leather coats had a shiny wax surface. It was great. As a slightly more formal injection we saw a structured black coat with a deep evening jacket shawl collar, which was only out done by a trio of dresses towards the end with a patterned velour on the top that changed into a see through negligé fabric further down.
Mustard yellow and burgundy red dominated but there were a few slim black silk dresses as well. A lot of the pieces were panelled and bonded together, testifying to an extensive craftsmanship. The prints clashed, the skirts were frilly, knitwear came double breasted, and shearling leather coats had a shiny wax surface. It was great. As a slightly more formal injection we saw a structured black coat with a deep evening jacket shawl collar, which was only out done by a trio of dresses towards the end with a patterned velour on the top that changed into a see through negligé fabric further down.
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